Tag Archives: Jason Thornton

Gloomy Mahler (2) – Kindertotenlieder

The Bath Philharmonia and Jason Thornton brought Mahler back to St Swithin’s Church. For the conductor, Jason Thornton, this marked the point at which he had conducted all of Mahler’s orchestral works We had Mahler’s orchestration for strings of the … Continue reading

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20th anniversary

It’s our 20th wedding anniversary this month – so who from 1996 remains on the local musical scene? (Strictly speaking, I didn’t arrive in Bath till late August, but I started investigating choirs before I moved here.) In Bath, we … Continue reading

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Das Lied on Earth Day

How often do you get a performance of Das Lied von der Erde more or less at the end of your street? I found this was happening just in time and grabbed myself a ticket. This was the Bath Philharmonia … Continue reading

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Adam and Eve-ing it

I took part in the South West Festival Chorus/Bath Phil’s performance of Haydn’s Creation. Our conductor, Jason Thornton, told as that Haydn had been inspired to write the work after conducting Messiah in Bath Abbey, so by performing it there … Continue reading

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Svyat! Svyat! Svyat!

Singing familiar texts in an unfamiliar language can make them feel altogether different. I know very little Russian, so there was a lot of grappling with the Old Church Slavonic texts of Rachmaninov’s Vespers (strictly the ‘All-Night Vigil’), which I … Continue reading

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Chopin concertos

Last Thursday I went to the last of the Bath Phil’s ‘Summer Classics’ season at Bath Abbey. The programme had been changed (as with the last Bath Phil concert I went to) with Lutoslawski and Gorecki disappearing in favour of … Continue reading

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a colossal nightingale

This was Heine’s description of Berlioz and I can’t improve on it, so I’m borrowing it for the title of this post. A few years ago I learnt some of Les nuits d’été, including Le spectre de la rose. The … Continue reading

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the view from choir 8

I’ve written before about singing in Spem in Alium, I admit partly to see if it resulted in an invitation to sing the work in Tallis’ anniversary year of 2005. But I had to wait until now, with a performance … Continue reading

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