retaining the tonality of A

I can’t actually remember which tonality we had to retain during the Gospel reading at Worcester Cathedral, but our musicianship was tested by having to remember the note needed for the response afterwards.

For the third time in my last four Cathedral visits we (in this case the Cathedral Chamber Choir) couldn’t use the Cathedral’s own song room, though in this case the Cathedral choir couldn’t either. The rather lovely Cathedral song room at Worcester was being refurbished, so a section of the cloister was partitioned off and equipped with heaters. At least the weather was relatively mild during our visit.

Saturday’s evensong had some personal favourites – Poulenc’s Videntes Stellam and Gibbons’ Second Service (in which I sang the 2nd soprano verse part); the Gibbons remains my favourite canticle setting. On the Sunday our Mass setting was Victoria’s on O magnum mysterium, which I’ve done a number of times over the years. Our setting in the evening was Bairstow’s in D, which I’ve only ever sung with this choir. We picked some Epiphany anthems (slightly jumping the gun as the Cathedral didn’t transfer Epiphany to the Sunday): Here is the little door by Howells and When Jesus our Lord/There shall a star by Mendelssohn.

We raised a large choir for this weekend; the time after Christmas is surprisingly popular, perhaps because people feel a need to do something active. I was struggling a bit with the remains of a cold I’d had a week earlier. Although I’ve sung at Worcester before, I’d never before left it by train on a Sunday; the experience is not recommended as trains are infrequent and there’s nowhere sensible to wait at Foregate St.

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