Category Archives: going to operas

Constructivism but no umbrellas

Suddenly realising that we were on the point of missing WNO’s Khovanshchina performances altogether, we grabbed tickets, leapt in the car and drove off to Cardiff to see it (as often with more ambitious repertoire, it wasn’t coming to Bristol). … Continue reading

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The Spiked Drink

This has been suggested as a translation for the title of Le Vin Herbé by Frank Martin. I was curious about this rarity, and after hearing it on Radio 3 I decided to go and see WNO’s staging of it … Continue reading

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a command performance

At Bath Opera’s Beatrice & Benedict I felt as if the performance had been laid on for my benefit. When I bought my ticket I chose a seat in the middle of the second row next to some that had … Continue reading

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review of the year – 2016

And what a year it was. I sang in the Three Choirs Festival Chorus. I sang lots of choral masterpieces (and Carmina Burana) for the first time. I made my débuts in several new venues, sang before a member of … Continue reading

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an unsatisfactory seat at ENO

After watching from a distance some belated but spectacular fireworks originating (I was told) at Somerset House, I went to the new production of Lulu at English National Opera. I have already seen this production in the cinema. The distinguishing … Continue reading

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Prom 2: Bryn sings Boris

After a busy day of 3 Choirs rehearsal at Gloucester Cathedral I leapt on a train to London and we went to hear Boris Godunov, with pretty much the same cast as was in the cinema relay of the ROH … Continue reading

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the original Boris

We went to the cinecast of the ROH’s Boris Godunov. As I go to more of these, I realise there is a dedicated audience that I keep seeing at them, several of whom are known to me through other musical … Continue reading

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the Scottish opera

I went to Bath Opera again to see Macbeth, encouraged by a friend in the chorus. As last year, I left it to the last minute but they hadn’t sold out, so I was sold a seat in a block … Continue reading

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♥ Olga and Onegin are now friends

Wouldn’t the plot of Eugene Onegin work well as a series of status updates? We went to see it at the Royal Opera House. This particular production was on its second outing here and had apparently been toned down a … Continue reading

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Schön and Schoenberg

The cinecasts from the Metropolitan Opera have moved beyond the safer options into more daring repertoire, and I made sure to catch the transmission of their new production of Lulu. Lothar Koenigs from WNO replaced James Levine as conductor. The … Continue reading

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