{"id":2413,"date":"2014-05-25T23:13:40","date_gmt":"2014-05-25T23:13:40","guid":{"rendered":"http:\/\/www.virginiaknight.org.uk\/vhkssinging\/?p=2413"},"modified":"2014-08-05T22:22:08","modified_gmt":"2014-08-05T22:22:08","slug":"see-australia","status":"publish","type":"post","link":"http:\/\/www.virginiaknight.org.uk\/vhkssinging\/2014\/05\/25\/see-australia\/","title":{"rendered":"See Australia!"},"content":{"rendered":"<p>Some of us in the Erleigh Cantors felt that Tourism Australia should have sponsored our concert at St. Peter&#8217;s Earley, because of its potential for subliminal advertising.  One piece we performed was Bob Chilcott&#8217;s setting of the <em>Ave Maris Stella<\/em> from his <em>Salisbury Vespers<\/em>, and on our practice recording the repeated phrase &#8216;sea most radiant&#8217; came out sounding like &#8216;See Australia&#8217;. <\/p>\n<p>We exploited the opportunity to deploy singers around the church in this piece and even more so in another Marian anthem, John Tavener&#8217;s <em>Annunciation<\/em>, where the solo quartet were in a small gallery off on one side of the west end of the church. For their final appearance they moved deeper into the gallery for a more distant effect. I just had a D to sing in this piece; our third Marian piece, Holst&#8217;s <em>Ave Maria<\/em>, was more demanding.<\/p>\n<p>Our programme began with three Tudor pieces, including two rarities.  I think I&#8217;ve only sung Weelkes&#8217; <em>O Lord, arise<\/em> once before, with this choir, perhaps because it&#8217;s not very obvious what season the words would be suitable for.  And it&#8217;s in lots of parts.  And Morley&#8217;s <em>Out of the deep<\/em> is a real rarity, in that I&#8217;ve recorded it but not performed it!  The recording was when I was a student, and we had a tenor soloist; this time the soloist was an alto.<\/p>\n<p>Vaughan Williams&#8217; <em>Three Choral Hymns<\/em> were new to me. Written for a festival choir, they are really quite hard work because they demand a lot of continuous sustained singing. They have some tricky key changes too &#8211; the transition from minor to major in a couple of them isn&#8217;t so obvious when the &#8216;minor&#8217; is really modal.  Alongside this we performed Holst&#8217;s <i>This have I done for my true love<\/i>.  The more I look at the words of this, the more intriguing they are.  They can&#8217;t have been composed by some illiterate yokel &#8211; consider the ABAB rhyme scheme and the various Latin-derived words which rhyme with &#8216;dance&#8217;. But they must have gone through a period of oral transmission before reaching Sandys&#8217; collection, during which this rhyme scheme has been lost in a few of the verses.  Is there any evidence they are Cornish, as the score asserts?<\/p>\n<p>Our final piece was John Rutter&#8217;s sequence of spiritual arrangements <em>Feel the Spirit<\/em>, which we did with piano accompaniment.  I felt the most successful numbers here were where Rutter allowed his own voice to show through (as in the solo part in <em>Deep River<\/em>) rather than pretending he was in New Orleans or Alabama.  I&#8217;m pretty certain some of the words (for example &#8216;Hallelujah brothers, hallelujah sisters, Hear the music going round and around&#8217;) were added by Rutter himself, but if they are traditional I&#8217;m willing to be corrected.  These were in the finale, <em>O when the Saints<\/em>, which I once had the pleasure of singing under the baton of Rutter himself when he took a choral workshop in Manchester.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Some of us in the Erleigh Cantors felt that Tourism Australia should have sponsored our concert at St. Peter&#8217;s Earley, because of its potential for subliminal advertising. One piece we performed was Bob Chilcott&#8217;s setting of the Ave Maris Stella &hellip; <a href=\"http:\/\/www.virginiaknight.org.uk\/vhkssinging\/2014\/05\/25\/see-australia\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[21],"tags":[36,33,35,41,38,34,39,40,37],"_links":{"self":[{"href":"http:\/\/www.virginiaknight.org.uk\/vhkssinging\/wp-json\/wp\/v2\/posts\/2413"}],"collection":[{"href":"http:\/\/www.virginiaknight.org.uk\/vhkssinging\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.virginiaknight.org.uk\/vhkssinging\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.virginiaknight.org.uk\/vhkssinging\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.virginiaknight.org.uk\/vhkssinging\/wp-json\/wp\/v2\/comments?post=2413"}],"version-history":[{"count":6,"href":"http:\/\/www.virginiaknight.org.uk\/vhkssinging\/wp-json\/wp\/v2\/posts\/2413\/revisions"}],"predecessor-version":[{"id":2481,"href":"http:\/\/www.virginiaknight.org.uk\/vhkssinging\/wp-json\/wp\/v2\/posts\/2413\/revisions\/2481"}],"wp:attachment":[{"href":"http:\/\/www.virginiaknight.org.uk\/vhkssinging\/wp-json\/wp\/v2\/media?parent=2413"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.virginiaknight.org.uk\/vhkssinging\/wp-json\/wp\/v2\/categories?post=2413"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.virginiaknight.org.uk\/vhkssinging\/wp-json\/wp\/v2\/tags?post=2413"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}